Themes in the old man and the sea essays, ernest hemingway
The Deceptive Simplicity of The Old Man and the Sea
Hemingway was an accomplished deep-sea fisherman and provides the reader with many details concerning the art of capturing marlins. Get help with any book.
Critics have pointed to Hemingway's earlier essay — which mentions a presumably real fisherman who travels far out to sea in a small boat, catches a great fish, and then loses it to sharks — as the seed from which the novella springs.
Ultimately, Santiago's honor, courage, endurance, and faith are what make him a symbol for the best in any of us.
Santiago's courage is inseparable from his honor. Hemingway, notoriously macho, may be suggesting that a female quarry would not be sufficiently challenging to his hero. He performs heroically, conquers the marlin, but then loses it.
As the novel opens, Santiago has not caught a fish for how many days?
Therefore, he is not a triumphant hero returning to his admiring people. The carcass of the fish is devoured by sharks, much as Santiago's body is torn; but the skeleton, along with the old man's inner spirit, remain unconquered. He reveres his prize but despises the sharks and attacks them with commendable if unavailing ferocity.
The novella invites, even demands, reading on Liberal muslim dating levels. The moon affects her, he thought.
He accepts the inevitability of the natural order, in which all creatures are both predator and prey, but recognizes that all creatures also nourish one another. This possibility has teased psychoanalytically inclined critics.
His wounded hands pain him as though they were nailed to a piece of wood; toward the end, he carries his mast like a cross and stumbles under its weight; and, once home again, he sleeps in a cruciform position with arms out and palms up.
Certainly, The Old Man and the Sea fits that description. He does not whine about his bad luck, nor does he blame the hand which temporarily betrays him, the marlin who challenges his strength, or the sharks who steal his catch. Santiago, in turn… Man and Nature Since The Old Man and the Sea is the story of a man's struggle against a marlin, it is tempting to see the novella as depicting man's struggle against nature.
Santiago's ability to endure the harsh life he lives is largely a result of his resignation to the belief that "Pain does not matter to a man. In living according to his own code of behavior, accepting the natural order and cycle of life, struggling and enduring and redeeming his individual existence through his life's work, and then passing on to the next generation everything he values, Santiago becomes an everyman an archetypal representation of the human condition.
Surfacing causes its air sacks to fill and thus prevents its diving soon again, in turn predictably causing it to circle and hence be harpooned and killed. In his staunch belief that there is a big fish waiting for him, Santiago achieves respect and dignity.
Winds, clouds, water, birds, and fish, all colorfully depicted by Hemingway, are linked parts of the great chain of marine life.
This, too, takes courage. To Santiago, his hands, unwilling to open, responsive only to pain, have minds of their own and are traitors to his will.
Yet, perhaps he was fated to do so. Indeed, Hemingway himself insisted that the story was about a real man and a real fish.
He thinks of the flying fish as his friends, and speaks with a warbler to pass the time.
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